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The Inbetween & the Not Yet thematizes in a poetic way the connections between art production and the complexity of blue color. Based on Yves Klein‘s artwork Relief éponge bleu (1960), the film takes „blue“ as an occasion to show associations to personal and global contexts that can be found between language and media representation. The result is a critical examination of geographical and visual dispositives of power, which becomes clear through documentary footage and detailed shots.